papers and presentations
December 2019
March 2018
May 2017
January 2009
March 2007
November 2006
May 2005
publications
2022
2019
2018
2000-2002
Goethe-Institut Seoul
Composing Heterophony
paper
Ganderkesee City Hall
Laudatory speech for Hans-Joachim Hespos on his 80th birthday
published in: MusikTexte 157, May 2018, p. 21-22.
RMA/BFE Research Students Conference, Canterbury Christ Church University
Heterophony/Polyphonic Stratification as a Means of Multi-part Composing in 21st Century Music
paper
Composers‘ Colloquium, Carl-von-Ossietzky University Oldenburg (Germany)
presentation of own music
George Enescu Symposium, Oldenburg (Germany)
Sigismund Toduță’s „Four Pieces for String Orchestra“ (1950)
paper
George Enescu Symposium, Oldenburg (Germany)
George Enescu’s Sonata for violoncello and piano no. 2 op.26/2 – Preliminary studies for a Schenkerian Analysis
paper
Frau Musica heute symposium, Rheinsberg (Germany)
Mayako Kubo’s music theatre “Hyperion-Fragmente”
paper
in: Frau Musica heute. Konzepte für Kompositionen. Publications of the
Musikakademie Rheinsberg, ed. by Ulrike Liedtke. Leipzig: Friedrich Hofmeister Verlag, pp.
161-173
Jeder Augenblick ist voller Leben
Obituary for Hans-Joachim Hespos,
in: MusikTexte 175, November 2022, pp. 53-54.
Melisma und Ausdruck. Zur Vokalmusik Christian F. P. Krams
CD booklet text
in: Grenzschatten. Lieder von Christian F. P. Kram.
Label: Genuin, GEN 22561
Heterophony/Polyphonic Stratification as a Means of Multi-Part Composing in 21st Century Music – Portfolio of Original Compositions
with Written Commentary
PhD thesis, University of Leeds
Über der Zeit, mitten im Wirbel
Essay
in: MusikTexte 157, May 2018, pp. 21-22.
also published in:
kulturland oldenburg 176, pp. 10-11.
Mayako Kubo und ihr Musiktheaterwerk “Hyperion-Fragmente”
in: Frau Musica heute. Konzepte für Kompositionen.
Veröffentlichungen der Musikakademie Rheinsberg, ed. by
Ulrike Liedtke. Leipzig: Friedrich
Hofmeister Verlag, pp. 161-173.
Arne Sanders 